It’s been a few years since we’ve had a furry companion in the studio but we’re so happy to welcome Bowie into our pack. He’s a rescued 8 month old mix of shepherd, husky and cattle dog (we think!). He’s super sweet, smart and full of puppy love.
I don’t remember a time when I didn’t know JB. We grew up together, skiing in the winters in Vermont and scheming adventures in the summers in New Jersey. We go years without seeing each other in person and when we are reunited it’s like no time has passed. I know I can count on him to say yes to any adventure and he is always the first person to make snow angels with me, even if there’s no snow. He’s a lifelong, long lost friend and a crazy talented landscape painter too.
On first glance, you’d swear he was a photographer not a painter. His attention to detail and patience throughout the process of bringing his paintings to life continually astound me. When you scan his horizon format paintings, some of which are only 3 inches high but nearly 6 feet long, you feel there, immersed in the space, seeing it through his eyes. Diving into his seascapes seems like a perfectly reasonable option, it’s as if you’re looking through a window out to the glistening ocean. JB’s work is represented by Robert Lange Studio if you want to add a new piece to your collection, I know it’s a life goal for me! Check out the video below to see his process and learn more…
JB in his former studio at RLS Gallery
About JB Boyd’s work: Focusing on the Lowcountry as a subject, Boyd’s paintings start with photographs, or more accurately, the journey to reach the photograph site. Boyd uses boats, ladders, trees and whatever else he can find and/or trespass on to create a unique perspectives. Perched twenty feet above the flat expanse of the marsh, or lying belly down in the mud, Boyd photographs in series to create a 360º view. Then, back in his studio, he arranges, crops, and edits these photographs to make a singular image. Using the image as a reference, his oil paintings are built up layer by layer, with each subsequent layer tightening the detail presented.
Artists Sharing Artists: is a series of posts where I share some of my favorite artists who are also inspired by nature and use their art to protect what they love. More artists coming soon…
Very excited to announce that I’ve just installed a new (to me) larger kiln in the studio! I was able to buy it used from another artist who was downsizing their studio. My husband named the new kiln Hugo because well… it’s huge! Can’t wait to start loading it and firing it up!
This means that I’m now selling my older big kiln, details are below if anyone is interested in it!
For Sale Used Skutt Automatic KM-1027
208 V 31.7 Amps 3 Phase 2350 F/ Cone 10 Max 7 cu ft 23 x 23 x 27d (opening)
$1200.
Includes: 2 Full Shelves, 5 Half Shelves, Large Selection of Posts, ~10’ of Wire, Receptacle, 40 Amp Breaker for Square D Box.
Condition: New elements, Thermocouple, Relay Switches, Plug and Receptacle. Some damage to bricks, missing/broken peep hole plugs, has envirovent but doesn’t work- could possibly be fixed.
I’ll be doing a pre-recorded online workshop about incorporating kanthal wire into clay at The Ceramic School soon! There will also be a live Q&A to follow. Check out the workshop preview here…
Now that the ceramic parts for this site specific installation are completed, it’s time to start working on the infrastructure. Each of the ceramic pieces will be epoxied to a steel rod that will be anchored into the ground supporting the pieces and also allowing them to float off the ground about a foot. This will give an ethereal vibe to the piece while also allowing the forest floor room to regrow beneath the work.
There are over 300 parts but about half of them are large enough that they require two rods to support them, so that totals to approximately 450 rods that need to be fabricated, plus some extras of course. I ordered 1300′ of steel rod that needs to be cut into 30″ lengths, the ends are ground so they are not sharp and then I’m welding on a washer to the end of each rod where the ceramic piece will rest and be epoxied to the rod. It’s simple, but it is A LOT of parts to make.
I’ve also started to pack up all the parts and make lists of everything I’ll need to bring with me for the installation. And trying to prepare and plan for all the ‘what ifs’ that might happen. Luckily, I can already tell that I’ve got a great team meeting me on site and that even if all doesn’t go as planned, we’re going to make it work and make it beautiful!
Installation is now officially scheduled for early August, and I’ll be posting the progress on my Instagram feed if you want to follow along.
I had been a fan of Sally’s work long before I got to meet her in Taiwan during our residency at the Yingge Ceramic Museum. It was impressive to see her in action, she was only at the residency for one month and I think she created more work in that month than I had in the three months I’d been there, she’s amazingly productive!
I love how animated her forms are, it feels like they will just get up and start walking or swimming through the studio. Her use of pattern, color and carved textures only adds to the movement in her work. I also had no idea that she threw all her forms on the wheel, I had assumed everything was hand-built, so it was great to be able to watch and learn about her process. Not only is she an impressive sculptor with excellent craftsmanship but she is also the sweetest person, a stellar karaoke singer and she made me laugh until it hurt.
Check out the video below to see more images of her work…
Sally at her studio space at the Yingge Ceramics Museum
About Sally Walk’s Work:My sculptural works are often on the edge, balanced, uneasy and restless, contrasting with a delicate prettiness that presents a sense of determination. They reference the illusions we create, how we present ourselves and what we determine as truth. Our outer shell is a façade, a beautiful illusion, but who we are is unclear. Our very existence is constructed, carefully controlled, meticulously edited. Only the edited version is apparent. What lies within or beyond the beautiful façade is lost, as reality teeters on the edge. This imbalance between what is real and what is not, is unnerving, and my ceramic sculptures explore this concept.
The shape of the forms are inspired by marine animals and microscopic imagery. I became interested in microscopic images after my mum was diagnosed with cancer, and unlikely positive to come from the situation. The virus-like rounded spikes were actually from some research I did into viruses that were being used to cure cancer. Oh how quickly that imagery has become linked to a pandemic.
Artists Sharing Artists: is a series of posts where I share some of my favorite artists who are also inspired by nature and use their art to protect what they love. More artists coming soon…
Just wanted to share this brand new custom Umbel flower in its happy home. I love how perfectly it fits into the owners landscaping choices while still standing out and making a statement.
Check out those shadows too!
Interested in a custom piece for your home? Contact me for a free consult at jw@jenniward.com