one step forward…

Since all of California seems to be on fire including many of our favorite camping hiking spots, we’ve been spending A LOT more time in the studio these days. And I’m so grateful to have this space to work in when everything else is closed up.

I’ve been focused on two (sort of three) separate projects. One is building my Rock Candy Series really big. If you’ve been following along on my posts, you already know that this has been a challenge. I’ve been getting a ton of cracks along the seams and haven’t been able to figure out why. But, the good news is that I’m making progress and getting one step closer to figuring these out.

Below is a photo of three pieces hanging on the wall of my studio. The two larger ones are about 2 feet across to give a sense of scale. The dark blue one is the only one that is actually successful with only one small crack in the bottom. The other two are covered in cracks, but I’ve realized the difference between how I built each of them and I’m understanding where the problems lie.

Of course the latest one to come out of the kiln had no cracks, but apparently had an air bubble in one wall, so that wall exploded during the bisque firing. That was disappointing to say the least but, I’m committed to seeing these challenges through to be able to make these pieces in mass. So stay tuned on this…

The other project I’ve been working on is creating my Bone Series | Medusa pieces. It’s quite the dichotomy to go from making these huge heavy stoneware rock forms to super thin and fragile porcelain pieces. It feels good to have success in making these and is a good reminder that it took me a few years and a few residencies of focused time to be able to make them. I love how delicate and whimsical they are, especially when they bounce slightly as they balance on the wire tips. I’m hoping to make a large amount of these pieces and have them up in my online shop soon.

The third project I technically haven’t started yet is embedding my flat porcelain pieces in resin. I consulted resin artists, I bought all my materials and was ready to start and then the ash started falling from the sky. We had so much debris in the air here that it didn’t seem like a good idea to start pouring resin and risk getting little bits stuck in it. But now we’re on our second day of blue skies and I’m hoping to start a pour in the next few days. Very excited about the potential with these pieces.

fuego en el desierto

While the paperwork on our property purchase is making it’s way through the system, we’ve been keeping busy at Taller de Terreno creating fires in the desert. The big multi-fuel kiln was fired up last weekend and it was fun to be a supporter during the 15+ hour process of firing it. It took a few days to cool and then we were able to unload it while ooohing and ahhhing at the results.

I was lucky enough to get a few of my pieces into the kiln too. Three large-ish rocks from my Rock Candy Series and two Umbel Series flowers were included. Unfortunately, the rocks got some big stress cracks in them, but the surfaces came out really interesting because of the addition of salt and soda ash to the kiln towards the end of the firing. The Umbel flowers came out fine and it was interesting to see how some of my typical glazes changed in this type of firing. There were a ton of beautiful pots that came out and as always there are some that were destined for the shard pile too. Ceramics is always a lesson in experimentation but this type of kiln firing only adds to the level of chance.

Once the kiln was unloaded, the three potters Christa Assad, Steve Jacobi and Fernanda Cov started to get all of their pots cleaned up, priced and organized for display for an art party sale at the studio. For us it was a great opportunity to meet (socially distanced of course!) a lot of the locals and learn a little more about the community here in Todos Santos. Everyone was really welcoming and it’s been fun to start to view this amazing little pueblo from the locals perspective instead of the tourists.

While the summer is obviously not the ideal time to be camping out in the desert, we definitely can’t complain about the sunsets, long stretches of empty beaches and the night skies.

a tree grows in wulai

If you followed along with my residency in Taiwan late last year, you may remember seeing me working with a group of kids at a school in the mountain town of Wulai outside of Taipei. We did a number of individual projects but we finished our time together working on a group project. Wulai is in the mountains with waterfalls, hot springs and lush foliage, so I thought it would be great to make a tree of our own for the the school. Each student picked leaves from their neighborhood and brought them to class to use to press into the clay, they carefully cut out each leaf and then they were glazed with a variety of natural colors.

a tree grows in wulai | the dirt | Jenni Ward ceramic sculpture

On our last class the students, teachers, the ceramic museum coordinators and myself worked together to assemble the tree in the school’s stairwell. I prepared the trunk and branches in advance using some landscaping cloth twisted into a wire mesh. The kids attached all the leaves and it was hoisted up to attach to the mesh wall of the stairwell. The kids were so proud of their work and the tree was a wonderful symbol of each of us working together to create something new. Photos of this project are now up on the website under the public art section of my portfolio.

go big

With no exhibits or big adventure plans on the docket these days, I’ve been keeping busy in the studio with mostly little projects and one BIG experiment. I figured that this is the best time to play and explore with out the worry of a deadline. So when I mentioned to my husband Nate that I wanted to try to make my hand-held-sized rock candy pieces big, like really big – he jumped on board to help me figure out how.

Jenni Ward ceramic sculpture | in the field | rock candy series

He came up with a contraption to help support the form and ultimately built one in wood first using the contraption as a support system for each of the panels. We rolled out thick slabs of clay, let them dry until they were stiff and then used the wood panels as templates for each plane of the new rock. We were able to get the whole thing together in a day, and while it’s got a few kinks that need to be worked out, it’s looking pretty good. This piece just barely fits in my kiln corner to corner, but I could go taller and still have it fit in the kiln, so we’re working on another template shape. I’m hoping that I can have a few different base forms that I can modify in the clay version so that they are all unique pieces in the end.

I also made a few medium sized pieces using paper templates. But I found that the paper models were too flexible and I ended up with slightly curved planes instead of flat ones. It’s a work in process, but I’m sure that I can figure out a way to make them this way too.

I’m hoping that the final forms could be used as unique low seating, as architectural elements in a garden, encrusted on a wall or even stacking them up like a totem with a steel rod on the inside, really the possibilities seem endless. But the real question is, what color should this first big baby be??

art + science workshop in taiwan

In the final weeks of my residency in Taiwan, the Yingge Ceramics Museum arranged for me to get a behind-the-scenes tour of the mycelium labs at the National Museum of Natural Sciences in Taichung – which was fascinating! In exchange, I gave a clay workshops for the staff of the science museum. The participants were staff and volunteers, most of whom had never played with clay, but who love science and nature.

We created small bowls that they carved into to create natural patterns and designs. All of the bowls were fired and glazed at the ceramics museum and then returned to the science museum. They just sent me photos of the all the bowls installed in their gorgeous greenhouse in a beautiful display of our ART + SCIENCE collaboration.

I’m so thrilled to see how thoughtfully they assembled these pieces into the landscape of their greenhouse. It was a wonderful experience to form this connection between the two museums and I’m grateful to them both for their willingness to accommodate my request to make this cultural exchange happen.

in the shop

Collaborative Trinket Necklaces | shop | Jenni Ward ceramic sculpture

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Art + Computer Science

So many of you have complimented my website over the years and I can not take responsibility for it’s beauty and functionality, I owe that to Priscilla Cinque’s amazing talents. Her artful eye and incredible attention to detail has made mine and many others websites simply shine. And when something breaks (usually me touching something I shouldn’t of!), she’s the first one I contact to patiently help me fix it – seriously don’t know what I’d do without her!

So, when she FINALLY made a website for her own creative endeavors, I knew I needed to share it with y’all!

a sample from the ‘down to earth’ collection

Please follow the link below to explore the (of course!) beautifully designed brand new site that showcases Priscilla’s botanical illustrations, photo realistic objects and painstaking line drawings. As I have no patience or talent for creating this kind of detail, I am always impressed when I see these pieces emerge from her home studio. I’m so happy to see her sharing her artwork with everyone now. Please enjoy…

Priscilla Shih Cinque: meditations on form, color, light and shadow

week six – ephemeral art installations

This is the sixth and final (for now) week of ephemeral art installations in nature, which makes 30 installations in total! I’m sure that I’ll be making more of these in the future, but for now, we’ve decided to get back into our home base area of Santa Cruz so I can work on some commissioned pieces in the studio and we can check in with family and friends. I hope that you have enjoyed these pieces as I’ve been hiding out in our van in nature, it’s been really fun to make them!

death valley, california
death valley, california
sequoia national forest, california
sequoia national forest, california
sequoia national forest, california

Just a reminder, that I am not leaving any of these pieces out in nature. I’m not littering or impacting the environment, in fact all the above pieces were made with the same piece of clay I reclaimed each day. Hope you’re enjoying these fleeting installations and remember to pack your trash too!