On the recommendation of a friend we ventured out to Naoshima Island, taking every possible means of public transportation to get there but as the brochure says – if you like art, architecture and nature, then this is your place – and it totally was. The island is dotted with site specific, modern, minimalist sculptures and museums all of which play with the natural beauty of the island and the South Seto Sea.
(l to r) Yayoi Kusama, Walter De Maria & Lee Ufan
Many of the indoor places you were not allowed to take photos, so there is a lot that is not pictured here, which was honestly kind of nice to just experience the spaces and the art. They also timed the entrances into spaces so that you could enjoy them as they were intended rather than in a space squished with tourists from wall to wall. I imagine that if the Louve showed the Mona Lisa in this way, it would be a completely different experience viewing her. It was a good reminder that slowing down and focusing on what you are seeing is way more important than getting that perfect photo.
(l to r) Sou Fujimoto, SANAA an architecture studio led by Kazuyo Sejima and Ryue Nishizawa & Cai Guo-Qiang
We also visited the Shigaraki Ceramic Cultural Park which was a little bit of a research trip for me. The have a very coveted residency program there I would love to apply for at some point in the next few years. So I reached out to my circle of clay friends and was able to meet with the program director to get a tour of the studios, kilns and the grounds. Now that I’ve been there, and seen how amazing their facilities are, I want to go even more! Fingers crossed for this in the future.
shigaraki ceramic cultural park (l to r) gigantic 5.2 cubic meter gas kiln, entrance sign to the park & one of the many ceramic installations
By now, we are actually back in California, and in-between saying hi to everyone that we’ve missed for months and going through our ridiculous pile of mail, we already planning our next adventure. Next up is a North America road trip, so stay tuned for more art, studio visits and a little bit of actual art making. Thanks for joining me on this amazing adventure!
Japan has been on my mind for 20+ years, I have no idea why it took that long for me to finally get my body here. Even after all that anticipation, it did not disappoint.
We flew into Tokyo, took in the sites and the food! We were here during the off season, which meant that we kind of got the best of both worlds. Beautiful snowy days when we ventured up into the mountains in Nagano and we got the first hints of spring with premature cherry trees starting to blossom in the city. It was not hard to find beauty here.
The Tokyo National Museum houses some of the oldest ceramics I’ve ever seen, the horse is from 500AD and the vessels are from 11,000-7,000BC, the forms and decoration are striking. The history of clay here is real and humbling. Juxtapose that with the modern crowdsourced art project my husband was adding to – Tokyo has got it all. Being able to buzz around the country on the Shinkansen we adventured all over and eventually worked our way south to Kyoto.
(l to r) My husband contributing to a crowd sourced art project, a banner from a JR Inside/Out event & early ceramics from the Tokyo National Museum
Kyoto is an eye-candy of a city; with its traditional architecture, geishas and multitude of shrines and temples all mixed up with the attributes of any modern city. One of our favorite finds was a once a month flea market filled with antique kimonos, fabrics, bonsai plants and food stalls. And the food, have I mentioned the food?
On a day trip to Hiroshima to take in the Peace Memorial and Museum, we also discovered the sculpture garden of the Contemporary Art Museum. I was surprised to find some of my favorite artists work in this gorgeous location.
Henry Moore, Magdelena Abakanowicz & Shingu Susumu at the Hiroshima Museum of Contemporary Arts
After a two+ week adventure through New Zealand, we returned to Australia to spend time with friends and family we hadn’t seen in years. It was great to base out of our friends homes and venture into the marvelous city of Sydney for day trips. We happened to spend our time there during the most rain the area had seen in a decade, so instead of spending a lot of our time outdoors, we hit the museums.
The Australia National Maritime Museum had a beautiful display of sea animals that were all created from upcycled ghost nets. The work was made by indigenous artists from Erub Arts and collaborating non-indigenous artists to bring awareness of the irreparable harm caused by the abandoned nets in the oceans. This is just a small sample of the work they had suspended from the ceiling in the entrance to the museum.
The Museum of Contemporary Arts Australia had engaging exhibits of object based pieces, video and installational works all by Australian artists. (l to r) Image 1 is a detail of salt crystals growing on a piece of found wood by Nicole Foreshaw, Image 2 is a found driftwood installation by Fiona Hall, Image 3 is a photographic print on the wall by Barayuwa Mununggurr and Image 4 is bronze work by Ricky Swallow.
Despite the rain, we of course did some hiking – getting completely soaked in the process, but having so much fun anyways! So I did get some shots of the eroded sandstone rock formations on the coastline. I have a feeling that these might show up at some point in future works.
We drove New Zealand from Auckland (very near the top of the north island) to Queenstown (very near the bottom of the south island) and saw quite a few amazing views along the way. Besides the epic landscapes, there was a ton of art to see too!
We started at the Botanical Gardens in Auckland where Debbie Fish, a friend from my residency in Iceland had some works installed as part of the Sculpture in the Gardens tour. The gardens themselves were gorgeous but the sculptures made it even more intriguing to wander through the plants. Below are a few of my favorites from twenty pieces installed…
L to R: Debbie Fish ‘Urban Invasion’, Jane Downes ‘Bee Haven’, John Ferguson ‘Breathe’
While I was still working in Taiwan, I randomly met Sarah McClintock ; the curator of the Suter Gallery in Nelson, New Zealand,. Nelson is at the very top of the south island, so after we crossed over on the ferry, we made sure to stop in on our way through town. I was lucky to get a tour of the beautiful Fire & Earth ceramic exhibit and I got to say hi again to Sarah. So grateful for her taking the time to show me around! Here’s a sampling of this exhibit which was all ceramic artists from the northern part of the south island:
L to R: Katie Gold ‘Moutere Garden Colour Swatch’, Daryl Frost ‘Visual Domestic Ware’, Erika Aupperle ‘Moving Line’
As we made our way to the bottom of New Zealand, we found our way to the coastal town of Dunedin. Despite an insane rain storm, we braved the weather and went hunting through the downtown area for some street art. There were some pretty striking pieces hidden around alleyways & parking lots, and if we hadn’t gotten soaked through, we would’ve looked for more!
check the city of Dunedin for artist credit on these beauties!
From top to bottom, in all mediums, high brow and low, New Zealand has got its art scene going on! So grateful for this art adventure!
From Adelaide we flew across Australia to the coastal town of Cairns and drove up the coast to the town of Port Douglas, both of which are the gateways to the Great Barrier Reef. So this weeks post is partially art inspired and partially planet earth inspired.
We crossed off a major bucket list item getting the opportunity to dive on the GB Reef, and although everyone told me, ‘the reefs are dying’, ‘it’s not as beautiful as it used to be’, and ‘I hope you’re not disappointed’. I can tell you now, that it did not disappoint.
That said, climate change is real, the reefs are dying and we need to make drastic changes to alter our impact on the worlds oceans. And as amazing as our experience was, I can’t even imagine how many more fishes there used to be and how healthy the corals once were. Yet, it was truly incredible to swim among one of the worlds largest ecosystems. All of the above photos are from a snorkel dive which gave us some up close experiences with the giant clams and amazing corals, but on our scuba dives we also saw sharks, eels, rays, octopus, barracuda and of course Nemos and Dorys too!
On land, I’m equally inspired by the nature of Australia. The below photo left is the variation of color and texture on a palm tree that I got a little obsessed with, the middle photo is weaver ants building a nest for their larvae and the below right photo is a finished weaver ant nest. Works of art by mother nature…
In addition to being in complete awe with the creative powers of planet earth, we also did visit a few galleries in Cairns to check out some local artwork. Below are a few samples of some of the works that caught my eye.
From left to right: detail of a vinyl cut paper piece from a local artists exhibit, two pieces from a concrete based exhibition and a linocut print from a children’s book illustration exhibition. All were on exhibit at the Cairns Art Gallery.
‘the dirt’ will be taking a bit of a turn in content for the next few months since I’m going to be adventuring around the world for awhile. I hope that you find inspiration through my exploration as I share some of the artwork that I come across in my travels with you …and I promise I will eventually get back in the studio and return you to your regular ceramic sculpture programming!
After I finished my residency in Taiwan, I went to Singapore first, partly to break up the long haul flight to Australia and partly to actually see Singapore- I’d only had quick transfers in the airport before but never enough time to actually leave the airport- man was I missing out!
We spent New Years Eve exploring the downtown area of Singapore, the public art (and the fireworks/drone display) was amazing. The Gardens by the Bay was my favorite (of course!) – combining art and nature into monumental installations, yes please! The floating ovoids were lit up after dark and changed color as patrons touched the ones on the edges of the water. The Super Trees have live plants growing up their trunks and have walkways between some of them, and they are also lit up at night. I had seen images of them before but had never realized how massive they actually were until I was there in person.
I had also seen images of the whale installation pictured above when it was first installed in Bruges Triennial but had no idea that it had been moved to the Singapore ArtScience Museum, I was so thrilled to see it in person. It’s called ‘Skyscraper’ with the tag line, ‘we have breached the limit’, it is made of 5 tons of plastic ocean trash. It’s a monumental piece that obviously tells the story of our current relationship with the oceans and how that needs to change.
The ArtScience Museum was another favorite, it has curated exhibitions that you can choose to purchase tickets for individually, one was sold out but the two we attended we based on the ideas of how we see the future, not necessarily utopian or dystopian but an artistic projection of what the future could be based on where we are right now. It was a fascinating display of interactive experiences using light, sound, images and installations to showcase the artists ideas. Some works required participation, some just observation. I loved the art and science quotes painted on the walls of the museum.
While in Singapore, we also took advantage of how close it was to the tiny and beautiful islands of Indonesia. So we hopped on a ferry and took a ride through the South China Sea to a small resort with tiny wooden cabins built over the ocean for a few nights. And what are the chances, but they had a full ceramic studio onsite on the island. They had kick wheels, a wood kiln and a studio space where visitors could have a clay experience. They also used a lot of their handmade ceramic pots at the resort as well. Totally serendipitous!
After our few days there, we headed back to Singapore to catch a flight to Adelaide Australia. We spent some time exploring the city, tasting the amazing wine and then headed to the coastal town of Victor Harbor in the hope of seeing penguins. The Little Penguins are endangered and there are only a few of them left on the island, so they are heavily protected and we weren’t sure if we’d actually get to see them. The island the penguins live on is tiny and they only show up after sunset, so we spent the time before sunset having a picnic dinner and walking the loop trail around the island.
I didn’t know it in advance but a subset of the famous Sculpture by the Sea exhibition (which takes place on the cliffs above Bondi beach in Sydney) had a permanent sculpture installation on Granite Island called Sculpture Encounters. The three works in the above photos were a few of my favorites out of the few dozen on the island and catching them as the sun was setting was a perfect treat!
Oh! And we did manage to get a brief glimpse of one Little Penguin before it burrowed into it’s hole for the night!
This residency has really been an amazing experience, spending three months in a foreign country and culture gave me such a challenging and rewarding opportunity. It’s so hard to believe that it’s over and that in a few days I’ll be flying off to another adventure.
I spent my last week here multitasking. Starting with unloading my final kiln firing, cleaning out my studio, shipping my tools and some of the resin pieces I made back home. I packed up my finished art for a local gallery to take and met with the museum to choose a few pieces for their permanent collection. I also assembled the final layout for the ART+SCIENCE collaborative installation. And of course I had to squeeze in a few final adventures with my husband Nate since he arrived on the scene here. Basically, wrapping up lots of little details while still trying to do everything I wanted to do too.
Sad to be saying goodbye to everyone here who has been so supportive in helping me accomplish my goals and so kind to show me around. I’m sure it will take a while to really process this whole experience but I’m so grateful for it all and everyone I met in the process. Big thank yous to everyone!!!
Next up, Nate and I start his sabbatical from work year, so in a few days we leave Taiwan for Singapore. Stay tuned for the adventures to come…and I promise I’ll eventually get back to California!
“…such a long, long time to be gone and such a short time to be there.” – grateful dead
As part of my residency obligations, I gave an artist talk and hands-on workshop at the Yingge Ceramics Museum for the community this week. I had nearly 30 participants come for the all day event. The hands-on workshop challenged them to work in multiples and create 100 simple shapes based on their interests in nature. They then had to experiment with intriguing compositions of all their shapes. They were apprehensive at first but ultimately they really got into the idea and appreciated the process of playing with their clay, valuing process over product.
I gave two more hands-on workshops at the National Museum of Natural Science in Taichung this week too. Since the museum kindly took the time to share a behind-the-scenes experience with me a few weeks prior, I wanted to return the favor sharing a clay experience with them. The participants were staff and volunteers, most of whom had never played with clay, but who love science and nature. They even brought some bits from nature with them to use as inspiration. We created small bowls that they carved into to create natural patterns and designs. All of the bowls will be fired and glazed at the ceramics museum and then assembled to create a group installation that will be displayed at the science museum. The results celebrate the collaboration of ART + SCIENCE.
In other studio news, I’ve officially stopped building with wet clay in my studio now. I’m letting everything dry so it’s ready for a final firing. While clay pieces are drying and firing, I’m continuing to experiment with pouring resin. I’m learning a lot as I go and I’m very excited about this new path.
AND, as an added bonus this week, my husband Nate arrived! I’m so thrilled to see him after two and a half months apart! He’ll get to share the tail end of this experience with me and see some of Taiwan too. Hard to believe that I only have one more week here before we travel onward…
This week has really been all work and no play. I’ve been feeling the pressure of my my time here coming to an end. But, it’s been a successful journey of learning and exploration.
Figuring out how to get the Bone Series: Medusa pieces to survive the building and firing process while exploring more complex forms has been challenging but a great success in the end. I’m also excited to announce that a collection of these pieces will be going to CC Gallery here in New Taipei City to be sold and a few will be selected for the Yingge Ceramic museum’s permanent collection.
The other exciting experiment is embedding some of my works in resin. It’s always a challenge working with a new material, but with the help of the studio staff at the museum, I was able to make the resin piece above (detail in right side photo), I’m really thrilled with the results. The idea is that the Bone Series pieces are inspired by the skeletal structures of radiolarians or single cell planktons and I wanted these pieces to feel like you were looking at a drop of ocean water under a microscope. I’m loving the little air bubbles that are trapped in the resin too… it really feels like it’s underwater. I have a few more of these in the works – excited to see how they turn out!
Week NINE! What?! Now the pressure is really on to get everything I’ve wanted to do done.
Had some great results out of the kiln (a few flops too, but that’s ok!) Getting all the parts out of the kiln meant that I could start playing with resin. The first result wasn’t perfect, you can see big cracks in the resin in the image above, but I learned a lot, like how not to get those big cracks! I’m loving how the pieces already have a specimen in a petri dish feel about them and that the translucency of the clay is working with the translucency of the resin. Now that the initial learning curve is over with, I’m excited to really get going on these pieces and I feel really good about working with this new medium.
In an effort to create a community project based around art + science while I’m here in Taiwan, the ceramics museum arranged a meeting with the science museum for me and I was able to get a day behind the scenes at the National Museum of Natural Science in Taichung. Their lead mycology scientist shared their extensive fungi specimens in the herbarium and how they grow fungi from spores in petri dishes. She also shared the process of identifying mushrooms by looking at a tiny section of the gills at a microscopic level. It was absolutely fascinating! I also met with their education department who was thrilled with the idea of doing a clay workshop for some of their staff and volunteers. So I’ll be going back there in a few weeks to lead them in a art + science project. The pieces created will eventually become an installation at the science museum. I’m excited to get clay into the hands of these scientists in a few weeks and seeing what inspires them!
Sunny Sunday summit on Qixing Mountain in Yangmingshan National Park
