Just a quick behind the scenes video showing just how strong these very thin pieces of porcelain actually are. When I put them in the kiln, I just pile them up, but because of the vitreousness of the clay, they stick together just a little, kinda like porcelain nachos. Then they need to be popped apart so I can use these pieces in other projects. Enjoy!
Tag: Life In The Studio
Work in Progress: Porcelain in Resin
These pieces have literally been years in the making, but I think I’m finally rounding a corner with them and wanted to share my progress. I had some success with my initial resin pours but still had a few things to tweak. You’ll notice that there’s a lot of micro bubbles in the resin, I found out that’s due to it curing too cold and possibly some air escaping from the pores of the ceramic parts. The edges of the molds aren’t as even as I’d hoped since the silicone molds had squished a bit in shipping, so I need to come up with a better frame solution. I also knew that my first experiments with led lights were really exciting and I needed to pursue that further even if it meant putting on my novice electricians hat. Some steps forward and some steps sideways, more problems to solve, and way more parts to make.
I decided to create stainless steel frames and pour directly into them so that I didn’t need to pop them out of a mold later. I wanted these frames to be versatile for both wall hanging and as suspended pieces, so I added a fender washer as the hanger to create a modern, industrial look. A metal fabricator neighbor welded them together for me and then I started working on the lighting components.
I’ve learned way more than I ever wanted to about led lighting, but in the end, I found that getting some waterproof strip lighting, a few connectors and being creative, I could get the frames lit on the insides and eventually embedded in the resin. I had small holes drilled in the sides of the frames for the wires to exit from which will ultimately connect to a power source, which for now is 9v battery to make sure that my connections actually work.
I’m ~almost~ ready to start pouring my (fingers crossed) first batch of keepers. My next steps are to coat the ceramic parts in a thin layer of resin, to seal them from leaking any air bubbles. To waterproof the end connections of my led lights and adhere them in place to the inner edges of the frames. And then I need to set everything up in a warm, dust free area to start the pouring, layering and curing of the resin, one eighth of an inch at a time. Step by step… stay tuned!
exciting news!
I’m happy to (finally!) share with you all that I will be making a large scale site specific installation at the Price Sculpture Forest on Whidbey Island in Washington State this year. I’ve been going back and forth with the owners for awhile now, but we’ve settled on a concept and a location in the park that we both think will be perfect for a powerful piece. Installation is set for the summer but I’ll be sharing my progress on this project with you as I go.
Inspired by the fungus of the Pacific North West, I’ll be creating a 12′ wide circular installation that will comprise of hundreds of ceramic forms. The shapes are based on shelf fungus forms and will be arranged to create a radial pattern reminiscent of the gills and spore patterns of mushrooms. The pieces will be staked into the ground with steel rod so that they float off the ground cover giving them an ethereal quality. Here is a photoshopped mock-up of my plans:
Conceptually, mushrooms speak of the cycle of life and death, since mycelium begins breaking down the dead waste in nature and the fruits of the mycelium (the mushroom) are the new growth that comes from it. The spores that are dropped from the mushroom gills, spread the growth and the cycle continues. Mycelium are some of the largest living organisms on earth stretching underground over miles of terrain creating networks of communication throughout the soil. This network makes them a symbol of growth through connection and how we are all connected to each other and to the systems and structures of nature.
The Price Sculpture Forest is 16.3 acres of preserved land with two walking loops through the property and a series of nature inspired sculptures placed throughout the forest. Visitors can use an app for a self-guided tour that will share with them each of the artworks, the artists thoughts and process on each piece. The forest is open everyday and free to visit, although, donations are always welcome.
the end of the Rock Candy road
Going big with the Rock Candy Series was a challenge, there was a lot of frustration, a lot of broken pieces and a lot of learning. Sometimes as an artist, you just need to take on the challenge and ‘make the thing’ even if you don’t know where it’s going to lead. Eventually, over the course of this year, I was able to make a whole pile of successful extra large rocks. But now what?
I stared at this pile in my studio for a few weeks, and it kind of stared back at me. I thought that I would be inspired to make more, create different combinations of colors and play with compositions, but I wasn’t. Sometimes, ideas lead to the end of a road and that’s ok. I’m really glad that I challenged myself with going big, I really glad that I was successful, and I’m really glad that all of the final pieces I made have already found a happy home. And as anti-climatic as it feels, I’m really glad to be moving onto other things that inspire me more.
Video: break it down
If you’ve followed along over the past year while I attempted to make some extra large Rock Candy pieces, you’ll know that it was a challenge, but eventually I succeeded. I was able to make a selection of pieces that had no cracks or flaws, but there was a whole pile of pieces that didn’t make the cut. They’ve hung around the studio for long enough now, so it was time to get rid of them. So what do I do with all the unsuccessful pieces?
I hate garbage, I am always looking for a way to reuse, upcycle, repurpose or recycle everything and fired clay is no exception. While it could just go into the general landfill, I discovered that many refuse sites will accept ceramics in a separate pile where you would also put toilets, sinks and tiles. They grind up all the ceramics material and use it as an aggregate for compacting roads around the site or elsewhere. So if you have a bunch of broken ceramics from your studio be sure to check out if your local refuse center will separate it for use and you’ll give your not-so-great experiments another life.
Back in the Saddle…
I am officially back in my studio full-time after a year mixed with travel, making art in the middle of nowhere, and dealing with insane fires, politics and pandemics. It’s been quite a ride, but it is good to be back feeling hopeful so I’m hitting the ground running!
I will admit that ‘the dirt’ has lagged along this year without very much intriguing content so thank you for sticking with me! Now that my hands are back in the clay on a daily basis and the kilns are firing up, I will have a lot more to share with you. I’m hoping to create more short videos of behind-the-scenes in the studio, step-by-steps and sharing where my inspiration comes from. I will also be featuring some artists that I’ve met in my travels over the past few years who inspire me and who are also inspired by nature to create their works. I hope that you enjoy meeting them in some upcoming posts!
All the details about new works, upcoming shows and opportunities to buy new art will be coming soon… ’cause I’m baaaack!
mini-studio in el desierto
Since we’ve had a driveway and small camping area cleared on our property, the first thing I did was buy a table and set up my mini-studio under the shade of a Torote tree. It’s been a little bit of a challenge to deal with the intense sun and some wind but I’ve figured out a system that seems to be working. I’m continuing to work on my smaller Bone Series Medusa and Urchin forms while I’m here and will be able to fire them in a friends kiln before I make the journey north again. I’m hoping to have a large batch of these to show and get up in the online shop next year.

In the meantime, I’m definitely finding inspiration here in the desert and the beaches. I’ve been finding and collecting all sorts of bits of bone and wood that inspire but my latest prize possession is this pelican skull below. The center photo is a close up of the fibrous structure of the beak connecting to the skull, I love how fragile and also how strong it is. I also love how translucent the bone is, so reminiscent of working in thin pieces of porcelain.

virtual open studios success!
I just wanted to take a moment to THANK ALL OF YOU who participated in my Virtual Open Studios Sale this year! I was overwhelmed with the response and so happy to see lots of new art find happy homes! Hopefully we will be able to see each other in person, sipping wine, hugging hellos and chatting art talk next year, but until then, stay safe and healthy everyone!
And just to keep you all posted on my whereabouts and shenanigans…

I’ll be spending the rest of the year working on our property in Baja Mexico and enjoying leaving a cold, wet winter behind me. I’ll be setting up a little make-shift studio space there too so I’m sure to stay creative and busy. I’ve also set up the studio to be ready for my return with lots of new work from the large Rock Candy pieces drying and awaiting a ride through the bisque firing. And I’ll also be continuing working on my porcelain pieces embedded in resin, I’m looking forward to getting some of these pieces finished and up in the shop for 2021.

Thanks again for continuing to support independent artists!
success.

After quite a few trials and errors on my extra large Rock Candy pieces, I’m pleased to report that I ~finally~ had a kiln load of successes! Phew!
This stage of the creative process is always the most exciting; the challenge figuring it all out, the emotional rollercoaster of cracking the kiln lid to see if there is success, the frustration of figuring one part out while another part becomes the problem, it’s all the best. Now, I feel like I can go into production mode and start cranking out some big pieces, feeling confidant that when I open the kiln I’ll have what I’m expecting. This stage is also exciting because now I get to really start to play with color and I’m looking forward to getting these into a garden space soon!
Turquoise piece is 20″x 12″x 13″, Blue is 20″x 15″x 12″ and the green is 10″x7″x6″
little by little
piti piti, zwazo fè nich | little by little the bird builds its nest – Haitian Proverb
I learned this proverb when I was working in Haiti years ago and it definitely applies to my studio practice these days…
Since the ash has stopped falling from the skies here, I decided to start working with embedding my ceramic pieces in resin. It’s been an exciting but very slow process to get some actual results. I’m working with a new-to-me resin product that is non-toxic, which is great and it’s also easy to work with, and is supposed to be extremely resistant to yellowing with age. The only drawback is that I can only pour an 1/8th of an inch layer at a time and I need 5 hours between pours, so it is a very, very slow process to pour pieces that are over an inch thick, but even with that, I think that these results will be worth it.

My husband Nate built me (yet another!) contraption that I can use to modify for different size circles and so far it seems to be working great. Since this is still in the R&D stages and this resin product isn’t the cheapest, I decided to make only one piece to start. I poured a solid base layer to start, let it cure and then started layering in a few ceramic parts and have continued doing that for nine individual pours so far. I love how clear the product is and how these pieces really seem like they are floating in the resin. They also leave shadows when the light is strong, which adds to the sense of depth. So little by little I’m building these out but very excited to see how they finally finish up when I remove them from the mold!
